Meet Your Next Favorite Artist: Hidden Gems at All Things Go NYC
- Patricia Prado
- May 28
- 5 min read
On Monday, May 18, All Things Go revealed the line up for their 2026 New York City residency at Forest Hills Stadium taking place on September 25-27. The festival’s all female lineup features headliners MUNA, Zara Larsson, Brandi Carlile, and Lola Young, along with a special sunset performance by Carly Rae Jepsen to close out the weekend.
The beauty of music festivals goes beyond the connection music creates with its audiences, it also lies in the opportunity audiences have to explore new artistry. And while many of the headliners are already fan favorites and no strangers to the festival, this year’s lineup is packed with up and coming musicians whose musical styling undoubtedly compliments the headliners.
So whether you’ll be in the crowd or admiring from the comfort of your home, here’s your guide to hidden gems worth discovering before September:
Day One - Friday, September 25
Rebecca Black, commonly known by her 2011 viral hit “Friday,” has since revamped her music career to a fresh sound that combines elements of hyper-pop and electro-pop. Black’s track titled “TRUST!” from her second studio album “SALVATION,” introduces a harmony of electric and pop production layered with her alluring vocal delivery.
Currently, Cara Delevingne’s discography on streaming platforms spans her music exclusively produced for her prior projects such as “Jimmy Fallon’s Seasoning Spectacular" and “Valerian and the City of a Thousand Planets.” Yet, her repertoire will soon grow, emerging into music she described to be a sneak peek into her “stream of
consciousness over the past few years.”
Delevingne has been teasing her music debut across social media, sharing on Instagram that music has simultaneously been her “biggest fear and [her] greatest love.” With two of her singles, “I Forgot” and “Out of my Head” releasing on May 29th, snippets posted online hint at an indie-rock she’ll not only bring to the Queens stage but also to her first headline tour beginning this upcoming June.
Much like the rest of her discography, DeTiger’s “Latency,” thrives on its indie-alternative sound, where the bass lines truly are the focal point of the track. In this song specifically, it’s so easy to get lost in the bass and drums that created a cohesive disco sound with rock influences. DeTiger’s lyricism carries this thrill of adolescence and sense of freedom, especially in the lyric "People think I’m in love, I’ve never been dumb enough.”
This track thrives on its electrifying production, followed by Qiana’s internal monologue creating a sharp storyline for listeners to follow. The lyrics capture the breaking point where pride can no longer win, leaving someone to confront their unresolved feelings while in separation from the person they yearn for. The song’s sensuality is especially complimented by the pulsing beat, as Qisha’s confession is sung throughout the chorus: “I want your hands on my body.”
Day Two - Saturday, September 26
Spiro’s vocals are indubitably the star of her tracks, truly a staple in her artistry. Her profound lyrics in “You Stole the Show,” set the scene, they exhibit the vulnerability of unrequited love. She clearly communicates the pain and confusion in understanding how “the show must go on,” when the person who once inspired it all, is no longer your safe haven. This ballad further demonstrates her ability to craft vivid storytelling through music, the imagery strongly amplified by the orchestral arrangements and through her raw emotion.
CMAT’s whimsical country pop sound offers a refreshing addition to the lineup, especially through the perspective presented in “When A Good Man Cries.” In music, it's often that failed relationships are framed through the faults of a partner, yet what makes this track particularly compelling is CMAT’s self awareness. She recognizes her own shortcomings, reflecting on her own part in the relationship’s downfall along with how the aftermath of her actions is affecting her partner. The contrast of this raw realization with her lighthearted sound provides an ironic oxymoron that listeners are sure to connect with.
Nothing feels more raw than the combination of mesmerizing vocals and the sound of a guitar, elements in which both shine throughout Jensen McRae’s “Let Me Be Wrong.” Her lyricism is especially compelling, capturing the exhaustion of constantly trying to do the conventional right thing. The track embraces wanting to step outside expectations, even if that means sitting through the chaos that follows.
Famously known for her comedic roles in Hacks and Too Much, Meg Stalter has since made her musical debut with her single “Prettiest Girl in America.” Although it is currently her only released song, the track offers enough insight to predict where she’s headed with her music, her ability to entertain and captivate audiences clearly transcends mediums. It’s bold, charismatic and fun, the electronic-pop track mirrors the same whimsy that defines much of Stalter’s comedic work.
“Last September,” the title track of Natalie Jinju’s sole studio album is a mesmerizing song that encompasses the spiraling chaos found when faced with existentialism. The jazz-inspired instrumentals grow increasingly poignant as her vocals intensify, adding another layer to her storytelling. Through this track, Jinju shows that if anyone can find comfort and beauty in uncertainty, it's definitely her.
Day Three - Sunday, September 27
The vulnerability in this track is what really drives my love for it, how lead vocalist Jordan Miller so candidly sings about longing for someone, and how sharing intimate moments in a wicked way leaves an everlasting effect on you afterwards. The sour sense of nostalgia represented through the song perfectly expresses the thoughts that linger after parting ways with a past love. The opening guitar sets the scene for the raw emotion that unfolds and heightened by the drums throughout the track.
On her debut album the apple tree under the sea, “set me free,” is unlike what we’ve heard from her before in the best way possible. Often recognized for her hyper-pop, she takes a different direction and leans into a smooth R&B vibe. Through the playfulness and flirty vocal delivery, Springs encapsulates an early 2000’s sound that feels reminiscent of R&B visionaries such as Ciara and Cassie.
Ives’ harmonious combination of mystical chime-like production that effortlessly pairs with her airy vocals creates a feeling as inviting as the title. The track’s whimsical vibe is amplified by the playful twist found in the chorus, as the tempo suddenly speeds up. The mix of hard and soft feels like an invitation into a world of delicate chaos.
Mandy Lee of Misterwives has emerged into a new era of her music, her solo act “Cherry Bomb.” Even with only three songs released thus far, it’s only the beginning and she’s already captivated audiences with her unique pop sound. “Digital Girl” is my personal favorite because of how introspective her lyrics are. She isn’t afraid to call out about society’s obsession with perfection and relentless pursuit to fit into impossible standards. Lee’s choice of synth/hyper pop achieves a futuristic feel, which is especially fitting with the song’s messaging.
Written by Patricia Prado
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